Ramesh Prasad Adhikary*
*Université Tribhuvan, Campus multiple Mahendra, Nepalgunj, Nepal.
https://doi.org/10.59937/rylu4162
This study explores the metaphoric language and stylistic elements in
the national anthems of SAARC countries—Nepal, India, Bangladesh,
Sri Lanka, Maldives, Bhutan, Pakistan, and Afghanistan—to
understand how they articulate nationalism, unity, and identity. The
research employs Conceptual Metaphor Theory and the Model of World
Englishes to analyze the use of metaphors, poetic devices, and
rhetorical strategies in these anthems. Dominant metaphors such as
Nation as a Family, Nation as a Divine Entity, and Nation as a Land of
Promise are identified, reflecting cultural values, historical narratives,
and collective aspirations. Poetic devices like repetition, symbolism,
and alliteration amplify the emotional resonance of the anthems, while
rhetorical strategies such as unity in diversity and historical
remembrance reconcile past struggles with contemporary aspirations.
The findings reveal that SAARC national anthems serve as auditory
embodiments of national identity, weaving together historical, cultural,
and ideological narratives. They transcend mere ceremonial functions
to become dynamic texts of cultural diplomacy and ideological
persuasion, fostering patriotism and social cohesion. The study
highlights the transformative power of language in shaping collective
consciousness, offering insights into how linguistic and stylistic choices
navigate the region’s multilingualism, religious pluralism, and
postcolonial identity. By bridging cognitive linguistics and
sociolinguistics, this research contributes to cross-cultural studies on
nationalism and provides valuable perspectives for inclusive nationbuilding in pluralistic societies.